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U N I V E R S I T Y O F P I T T S B U R G H |
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| Volume VII, Number 1 |
October, 2001 |
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Puppet Theater and Music of West Java, Indonesia:
Weintraub describes Wayang Golek performances as “a crucial site for activating multiple and often contradictory interests. Wayang Golek stories and characters convey ethical and moral philosophical principles that are communicated indirectly through symbolic allusion and are only accessible to a small percentage of spectators. Simultaneously, Wayang Golek is a form of popular entertainment that incorporates popular music, colloquial language, and carnivalesque humor. Wayang Golek can be used as a tool of propaganda for local and national government interests, as well as a vehicle for social and political critique. While the theater form appeals to a wide variety of people, it appeals to them in different ways.”
The multimedia aspects of puppet theater (visual and auditory) make it a
challenging genre to teach. Weintraub’s goal is to develop a CD-Rom, which
can be used in his courses Introduction to Music Cultures of the World,
Music of Southeast Asia, and Gamelan (where a student ensemble plays
Indonesian instruments). During research trips to Indonesia, he has
collected over 75 hours of video, 200 hours of audio, 150 photographs, and
50 interviews for this project. In the upcoming year, Weintraub, with the
assistance of two interactive design researchers, will organize, edit, and
digitize these media. | ||||||||||||
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A newsletter devoted to the support of teaching and learning at the University of Pittsburgh |
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Center for Instructional
Development & Distance Education |
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